Valkyria Chronicles III - Wikipedia. Senj. Released in January 2.

Japan, it is the third game in the Valkyria series. Employing the same fusion of tactical and real- time gameplay as its predecessors, the story runs parallel to the first game and follows the . While it retained the standard features of the series, it also underwent multiple adjustments, such as making the game more forgiving for series newcomers. Character designer Raita Honjou and composer Hitoshi Sakimoto both returned from previous entries, along with Valkyria Chronicles II director Takeshi Ozawa.

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A large team of writers handled the script. The game's opening theme was sung by May'n. It met with positive sales in Japan, and was praised by both Japanese and western critics. After release, it received downloadable content, along with an expanded edition in November of that year. It was also adapted into manga and an original video animation series.

Due to low sales of Valkyria Chronicles II, Valkyria Chronicles III was not localized, but a fan translation compatible with the game's expanded edition was released in 2. Media. Vision would return to the franchise with the development of Valkyria Revolution for the Play. Station 4. Gameplay.

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• As with previous Valkyira Chronicles games, Valkyria Chronicles III is a tactical role-playing game where players take control of a military unit and take part in.

Stories are told through comic book- like panels with animated character portraits, with characters speaking partially through voiced speech bubbles and partially through unvoiced text. The route to each story location on the map varies depending on an individual player's approach: when one option is selected, the other is sealed off to the player. After the game's completion, additional episodes are unlocked, some of them having a higher difficulty than those found in the rest of the game. There are also love simulation elements related to the game's two main heroines, although they take a very minor role. During missions, players select each unit using a top- down perspective of the battlefield map: once a character is selected, the player moves the character around the battlefield in third- person.

A character can only act once per- turn, but characters can be granted multiple turns at the expense of other characters' turns. They are divided into . To learn Battle Potentials, each character has a unique . Troopers can switch classes by changing their assigned weapon. Gallian Army Squad 4. Ordered by the Gallian military to perform the most dangerous missions that the Regular Army and Militia will not do, they are nevertheless up to the task, exemplified by their motto, Altaha Abilia, meaning . Together with their fellow squad members, these three are tasked to fight against a mysterious Imperial unit known as Calamity Raven, consisting of mostly Darcsen soldiers.

As the Nameless officially do not exist, the upper echelons of the Gallian Army exploit the concept of plausible deniability in order to send them on missions that would otherwise make Gallia lose face in the war. While at times this works to their advantage, such as a successful incursion into Imperial territory, other orders cause certain members of the 4. One such member, Gusurg, becomes so enraged that he abandons his post and defects into the ranks of Calamity Raven, attached to the ideal of Darcsen independence proposed by their leader, Dahau. At the same time, elements within Gallian Army Command move to erase the Nameless in order to protect their own interests. Hounded by both allies and enemies, and combined with the presence of a traitor within their ranks, the 4.

Gallian war effort. This continues until the Nameless's commanding officer, Ramsey Crowe, who had been kept under house arrest, is escorted to the capital city of Randgriz in order to present evidence exonerating the weary soldiers and expose the real traitor, the Gallian General that had accused Kurt of Treason. Partly due to these events, and partly due to the major losses in manpower Gallia suffers towards the end of the war with the Empire, the Nameless are offered a formal position as a squad in the Gallian Army rather than serve as an anonymous shadow force. This is short- lived, however, as following Maximilian's defeat, Dahau and Calamity Raven move to activate an ancient Valkyrian super weapon within the Empire, kept secret by their benefactor. Without the support of Maximilian or the chance to prove themselves in the war with Gallia, it is Dahau's last trump card in creating a new Darcsen nation. As an armed Gallian force invading the Empire just following the two nations' cease- fire would certainly wreck their newfound peace, Kurt decides to once again make his squad the Nameless, asking Crowe to list himself and all under his command as killed- in- action. Now owing allegiance to none other than themselves, the 4.

Dahau and destroys the Valkyrian weapon. Each member then goes their separate ways in order to begin their lives anew. Development. The director of Valkyria Chronicles II, Takeshi Ozawa, returned to that role for Valkyria Chronicles III. Alongside this, improvements were made to the game's graphics and some elements were expanded, such as map layouts, mission structure, and the number of playable units per mission. They also adjusted the difficulty settings and ease of play so they could appeal to new players while retaining the essential components of the series' gameplay.

The newer systems were decided upon early in development. When creating the Nameless Squad, Honjou was faced with the same problem he had had during the first game: the military uniforms essentially destroyed character individuality, despite him needing to create unique characters the player could identify while maintaining a sense of reality within the Valkyria Chronicles world.

The main color of the Nameless was black. When he originally heard about the project, he thought it would be a light tone similar to other Valkyria Chronicles games, but found the themes much darker than expected.

An early theme he designed around his original vision of the project was rejected. He redid the main theme about seven times through the music production due to this need to reassess the game. The main theme was initially recorded using orchestra, then Sakimoto removed elements such as the guitar and bass, then adjusted the theme using a synthesizer before redoing segments such as the guitar piece on their own before incorporating them into the theme. The rejected main theme was used as a hopeful tune that played during the game's ending. The battle themes were designed around the concept of a . While Sakimoto was most used to working with synthesized music, he felt that he needed to incorporate live instruments such as orchestra and guitar.

The guitar was played by Mitsuhiro Ohta, who also arranged several of the later tracks. Its theme was the reason soldiers fought, in particular their wish to protect what was precious to them rather than a sense of responsibility or duty. Its lyrics were written by Seiko Fujibayashi, who had worked on May'n on previous singles. During the publicity, story details were kept scant so as not to spoil too much for potential players, along with some of its content still being in flux at the time of its reveal.

Packaged and sold at a lower price than the original, Extra Edition game with seven additional episodes: three new, three chosen by staff from the game's DLC, and one made available as a pre- order bonus. People who also owned the original game could transfer their save data between versions. According to Sega, this was due to poor sales of Valkyria Chronicles II and the general unpopularity of the PSP in the west. Compatible with the Extra Edition, the patch was released in January 2. He praised its gameplay despite annoying limitations to aspects such as special abilities, and positively noted its shift in story to a tone similar to the first game.

Its one major criticism were multiple difficulty spikes, something that had affected the previous games. He also positively noted the story's serious tone.

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