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Cool Off With These 1. Madhubala 11 May 13 Written Update Yeh. Horror Movies Set in the Freezing Cold.
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- John Carpenter’s The Thing, which turned 35 at the end of June, is always the first movie we turn to during a summer heat wave—or any time we feel like watching.
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John Carpenter’s The Thing, which turned 3. Gears Of War Pc Multiplayer Crack Games. June, is always the first movie we turn to during a summer heat wave—or any time we feel like watching something both figuratively and literally chilling But it’s by no means the only great horror film set in freezing conditions.
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Beat the summer heat by making your blood run cold with these movies. Alien vs. Predator. This 2. 00. 4 movie is nobody’s top pick in either franchise, but the scifi battle royale does have moments that are stupidly enjoyable. It’s set on a frozen island off the coast of Antarctica, the only place on the planet where Predators can hide the underground pyramid they use as an arena for Alien hunting.
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This unusual sport requires hosts to produce the aliens in the first place—namely, humans who are curious, greedy, and/or stupid enough to venture to the ends of the Earth. This round, it’s a team in service of the Weyland Corporation, recklessly endangering its employees even 1.

Alien. Who wins in the end? He plays a way more benevolent scientist here, while Forrest Tucker plays the bad- dude doctor with Yeti exploitation on his mind. Most of The Abominable Snowman was shot on a set, but special effects and location shots of actual mountains help establish that “the man- beast of Tibet” indeed dwells in a harsh, remote place. The Thing. Posed as a prequel to Carpenter’s film, this version of The Thing is set at the Antarctic Norwegian research base that first encounters the shape- shifting space monster—you know, before it transforms into the dog that scampers toward Mac. Ready and company over at U. S. The cast is mostly actual Scandinavians (including Kristofer Hivju, who’d move on to other cold- ass locations as Tormund Giantsbane on Game of Thrones), though Mary Elizabeth Winstead gets top billing as an American paleontologist summoned to investigate the team’s mysterious discovery in the ice.
It’s a decent monster movie, but the plot is more or less identical to Carpenter’s 1. Whiteout. Kate Beckinsale plays a U. S. Marshal toiling in Antarctica who takes on one last case before her much- desired retirement. Though Whiteout is more of a suspense thriller than a horror movie, it makes good use of its isolated environment, and gets points for containing a very cringe- inducing frostbite/amputation scene. The Children. The mood of one extended family’s Christmas holiday shifts from winter wonderland to gruesome hellscape when all the young children become infected with a virus that turns them into vicious monsters.
The parents don’t really understand what’s happening at first, because who wants to admit that their offspring have become literal little monsters? And then, once the truth can’t be denied, who wants to fight their own tot to the death? Though it’s set deep in the snowy countryside—truly, the perfect place to stage a horrific sledding “accident”—the plot might actually be the coldest part of The Children. Ravenous. Is there any other movie quite like 1. Ravenous? Its tone of pitch- black comedy and themes of cannibalism and Native American mysticism mesh weirdly well with its historical military setting (an icy outpost in the Sierra Nevadas, circa 1.
Guy Pearce, Jeremy Davies, Neal Mc. Donough, Jeffrey Jones, and David Arquette. Robert Carlyle, of course, plays the bloodthirsty guy you’d least want to be stranded with in any type of survival situation, much less one involving the demon- driven consumption of human flesh.
Dreamcatcher. One of the weirder Stephen King adaptations out there, Dreamcatcher marries some of the author’s familiar tropes to a truly bizarre tale. Childhood pals meet for their annual reunion in the snowy Maine woods, but these are no ordinary friends, because they’re psychically linked (they’re played as adults by Thomas Jane, Damian Lewis, Timothy Olyphant, and Jason Lee, plus Donnie Wahlberg as the most “special” among them).
Also, this is also no ordinary patch of Maine woods, because there are hostile aliens lurking around, including one that starts possessing members of the group. The evil version of Jack Frost sees a serial killer (who happens to be named.. Jack Frost) mutate into a deadly snowman after a highway crash involving a prison transport vehicle, a tanker containing gallons of weird science, and a convenient snowdrift. Hey, it could happen!
Days of Night. Any time you have a situation where the sun disappears for a long period of time, you’re going to have to consider the possibility of vampires. That’s what happens 3. Days of Night’s small Alaska burg, which becomes infested during the region’s annual extended polar night. Produced by Sam Raimi and directed by David Slade (who’s helmed multiple episodes of American Gods and Hannibal), 3. Days is the rare horror film that actually lives up to its clever premise—no doubt bolstered by its origins as a well- received IDW comic book.
Danny Huston, last seen conspiring with Doctor Poison in Wonder Woman, makes an eerie impression as the dead- eyed head bloodsucker. Wind Chill. Around the time of her breakout in The Devil Wears Prada, Emily Blunt made this twisty, Twilight Zone- ish tale about a New England college student whose road trip home for Christmas gets very sinister and surreal. First, the weather report warns of a dangerous incoming storm; then, the guy she’s doing the ride- share with reveals he’s kind of a creep. However, those concerns are soon eclipsed by the horrors that await when the duo takes a shortcut that leads them down a very haunted highway. Never get off the main road, kids—or you might find yourself in a situation where freezing to death is the most pleasant option. Frozen. There’s nothing Disney about this Frozen, about a trio of skiiers mistakenly stranded on a ski lift after the resort shuts down ahead of a perilous snowstorm. It’s a lean set- up that resembles diving horror movie Open Water, but instead of being stranded in the ocean, the kids are suspended high above the ground in the punishing cold..
Both films, however, prey on the “left behind” fear that may make you rethink your next vacation destination; this one’s just way, way, way colder. Dead Snow. A crew of good- looking young Norwegians set out for a mountain getaway, staying in a cabin several hundred snowdrifts away from civilization. Unfortunately for them, it turns out those abundant snowdrifts conceal a terrible secret: Nazi soldiers, frozen for decades but now furiously reanimated and ready to reclaim their stolen treasure and take out any hot bodies that get in their way. Tommy Wirkola’s splat- tastic film has become a cult classic for a lot of reasons—two words: Nazi zombies—but its deadpan sense of humor lifts it excellently over the top. The Thing From Another World. The first film to be adapted from 1.
Who Goes There?, the original Thing moie (which can be glimpsed playing on a TV in John Carpenter’s Halloween) was directed by Christian Nyby in 1. Hollywood veteran Howard Hawks, whose influence is very evident in the story’s rapid- fire pacing and dialogue. The story differs from Carpenter’s take especially in regards to how the monster reproduces, but there are smaller dissimilar details, too (for one thing, it’s set at the North Pole rather than Antarctica). This Thing is, obviously, also way more bare- bones in the special effects department—but it’s still scary, suspenseful, and great fun to watch.
Let the Right One In. In the frigid, austere suburbs of Stockholm, Sweden, a bullied boy forms a meaningful bond with an ancient vampire who looks like a girl just his age. Based on John Ajvide Lindqvist’s best- seller (he also penned the sceenplay), Let the Right One In spends a lot more time examining human nature than it does hauling out vampire tropes—which ultimately makes for a more powerful story. That said, there’s still plenty of blood- sucking and agony tucked amid all the awakening emotions.